The Academy Is...

The Oscars happened. And it turns out that all Martin Scorsese had to do to win one was show Leo in the missionary position and hurl Martin Sheen off a building.

The Departed was as good as a movie gets without being a great movie. (Interestingly, As Good As It Gets is also probably as good as it gets without being great.) Its relative dominance confirms what everybody already knows about the Academy: popularity contest.

But it's not as bad as the rest of pop media. If the E! Channel is the House of Representatives, the Academy is the Senate. It's still about a layer of symbolic bullshit draped awkwardly over the concerns of a small group of moneyed special interests (in this case the studios and their PR teams, who lobby every bit as hard as Abramoff), but whereas the House is tethered to its constituency tightly enough that they have to hop-to with every fickle shift in the polling data, the Senate operates at just a bit of a remove. So the Senators (the Academy members, hear me out on this analogy) become less concerned with earning constituents' pats on the back as they are with earning their own pats on the back.

To wit:

Babel, yet further proof of Alejandro González Iñárritu's ability to convert three half-finished screenplays into an overlong "socially conscious" yarn via arbitrary (and usually implausible) connections. See also: Syriana

The Queen: Another opportunity for the Academy to remind everybody how much they loved Princess Di.

Little Miss Sunshine: Indie filmmaking by numbers. Somebody should tell these guys that if merely mentioning the names Proust and Nietzsche in a piece of writing were enough to make it intellectually stimulating, The Enfranchised would be bigger than The Huffington Post.

Letters from Iwo Jima: I haven't seen this one, but I'm pretty sure we won that battle, planted a big ass flag, and everybody involved went back to their business with much merriment. Truly inspirational.

and of course The Departed. Great source material, a taut adaptation, top-notch performances (including Alec Baldwin whose 'type' seems to have become 'playing against type') and slick direction. Only problem is that it's about a third as good as Goodfellas, Casino, Raging Bull, or Taxi Driver (or Brick, or Children of Men, or Pan's Labyrinth for that matter).

Hey, at least people will stop saying things like, "Scorsese doesn't hold a candle to Academy Award (R) winner Paul Haggis. I mean, did you see Haggis on Entourage?" and "Screw Scorcese, how about Academy Award winner (R) James Cameron. I mean, did you see Cameron on Entourage?)